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Masterclass: Shin Su-won

āļ­āļē. 18 āļĄāļī.āļĒ.

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MUPAC

🎎 Masterclass : Shin Su-won 🎎 📅 āļ§āļąāļ™āļ—āļĩāđˆ 18 āļĄāļīāļ–āļļāļ™āļēāļĒāļ™ 2566 📍 āļ“ āļ­āļēāļ„āļēāļĢāļ›āļāļīāļšāļąāļ•āļīāļāļēāļĢāļ”āļ™āļ•āļĢāļĩāđāļĨāļ°āļāļēāļĢāđāļŠāļ”āļ‡ āļ„āļ“āļ°āļ”āļ™āļ•āļĢāļĩāđāļĨāļ°āļāļēāļĢāđāļŠāļ”āļ‡ āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļšāļđāļĢāļžāļē (MUPAC)

āļāļēāļĢāļĨāļ‡āļ—āļ°āđ€āļšāļĩāļĒāļ™āļ›āļīāļ”āđāļĨāđ‰āļ§
āļ”āļđāļ­āļĩāđ€āļ§āļ™āļ—āđŒāļ­āļ·āđˆāļ™
Masterclass: Shin Su-won
Masterclass: Shin Su-won

āđ€āļ§āļĨāļēāđāļĨāļ°āļŠāļ–āļēāļ™āļ—āļĩāđˆ

18 āļĄāļī.āļĒ. 2566 11:00 – 19 āļĄāļī.āļĒ. 2566 17:00

MUPAC, 169 āļ–āļ™āļ™ āļĨāļ‡āļŦāļēāļ”āļšāļēāļ‡āđāļŠāļ™ āļ•āļģāļšāļĨāđāļŠāļ™āļŠāļļāļ‚ āļ­āļģāđ€āļ āļ­āđ€āļĄāļ·āļ­āļ‡āļŠāļĨāļšāļļāļĢāļĩ āļŠāļĨāļšāļļāļĢāļĩ 20130 āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒ

āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļ­āļĩāđ€āļ§āļ™āļ—āđŒ

āļ„āļ“āļ°āļ”āļ™āļ•āļĢāļĩāđāļĨāļ°āļāļēāļĢāđāļŠāļ”āļ‡āļ‚āļ­āđ€āļŠāļīāļāļ—āļļāļāļ—āđˆāļēāļ™āđ€āļ‚āđ‰āļēāļĢāđˆāļ§āļĄ

🎬 Masterclass : Shin Su-won 🎬

📅 āļ§āļąāļ™āļ—āļĩāđˆ 18 āļĄāļīāļ–āļļāļ™āļēāļĒāļ™ 2566

📍 āļ“ āļ­āļēāļ„āļēāļĢāļ›āļāļīāļšāļąāļ•āļīāļāļēāļĢāļ”āļ™āļ•āļĢāļĩāđāļĨāļ°āļāļēāļĢāđāļŠāļ”āļ‡

āļ„āļ“āļ°āļ”āļ™āļ•āļĢāļĩāđāļĨāļ°āļāļēāļĢāđāļŠāļ”āļ‡ āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļšāļđāļĢāļžāļē (MUPAC)

MUPAC - Music and Performing Arts Center

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🕚 11.00 🎞āļ‰āļēāļĒāļ āļēāļžāļĒāļ™āļ•āļĢāđŒ Passerby#3 (āļŦāđ‰āļ­āļ‡ PA Hall)

🕐 13.00 🎞āļ‰āļēāļĒāļ āļēāļžāļĒāļ™āļ•āļĢāđŒ Hommage (āļŦāđ‰āļ­āļ‡ PA Hall)

🕒 15.00 🎞Masterclass: Shin Su-won* (āļŦāđ‰āļ­āļ‡ MU Hall)

*āļĄāļĩāļĨāđˆāļēāļĄāđāļ›āļĨ āđ€āļāļēāļŦāļĨāļĩ - āđ„āļ—āļĒ (Korean-Thai Translation)

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📝 āļĨāļ‡āļ—āļ°āđ€āļšāļĩāļĒāļ™āđ„āļ”āđ‰āļ—āļĩāđˆ 🔴 https://bit.ly/3WWu1mi 🔴

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āļŠāļīāļ™āļ‹āļđāļ§āļ­āļ™ āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļ‡āļēāļ™āļāļģāļāļąāļšāļ āļēāļžāļĒāļ™āļ•āļĢāđŒāļ„āļĢāļąāđ‰āļ‡āđāļĢāļ āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ›āļĩ āļ„.āļĻ. 2010 āļˆāļēāļāđ€āļĢāļ·āđˆāļ­āļ‡ Passerby#3 āļ āļēāļžāļĒāļ™āļ•āļĢāđŒāļ­āļīāļŠāļĢāļ°āļ—āļĩāđˆāđ€āļ˜āļ­āļ­āļģāļ™āļ§āļĒāļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āđ€āļ­āļ‡ āļ‹āļķāđˆāļ‡āļāļĨāļąāđˆāļ™āļāļĢāļ­āļ‡āļˆāļēāļāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļˆāļĢāļīāļ‡ āđƒāļ™āļāļēāļ™āļ°āļœāļđāđ‰āļŦāļāļīāļ‡āļ§āļąāļĒāļŠāļēāļĄāļŠāļīāļšāļ—āļĩāđˆāļžāļĒāļēāļĒāļēāļĄāļĄāļļāđˆāļ‡āļŠāļđāđˆāļ­āļļāļ•āļŠāļēāļŦāļāļĢāļĢāļĄāđ€āļžāļ·āđˆāļ­āđ€āļ›āđ‡āļ™āļœāļđāđ‰āļāļģāļāļąāļšāļ āļēāļžāļĒāļ™āļ•āļĢāđŒ Passerby#3 āđ„āļ”āđ‰āļĢāļąāļšāļĢāļēāļ‡āļ§āļąāļĨāļŠāļ™āļ°āđ€āļĨāļīāļĻ JJ-Star Award āļˆāļēāļāđ€āļ—āļĻāļāļēāļĨāļ āļēāļžāļĒāļ™āļ•āļĢāđŒāļ™āļēāļ™āļēāļŠāļēāļ•āļīāđ€āļĄāļ·āļ­āļ‡āļˆāļ­āļ™āļˆāļđ āļ„āļĢāļąāđ‰āļ‡āļ—āļĩāđˆ 11 āđāļĨāļ°āļĢāļēāļ‡āļ§āļąāļĨāļŠāļ™āļ°āđ€āļĨāļīāļĻ Best Asian-Middle Eastern āļˆāļēāļāđ€āļ—āļĻāļāļēāļĨāļ āļēāļžāļĒāļ™āļ•āļĢāđŒāļ™āļēāļ™āļēāļŠāļēāļ•āļīāđ‚āļ•āđ€āļāļĩāļĒāļ§ āļ„āļĢāļąāđ‰āļ‡āļ—āļĩāđˆ 23

āļœāļĨāļ‡āļēāļ™āļĨāļģāļ”āļąāļšāļ–āļąāļ”āļĄāļēāļ‚āļ­āļ‡āđ€āļ˜āļ­ āļ„āļ·āļ­āļ āļēāļžāļĒāļ™āļ•āļĢāđŒāļŠāļąāđ‰āļ™āđ€āļĢāļ·āđˆāļ­āļ‡ Circle Line āļ‹āļķāđˆāļ‡āļŠāļ™āļ°āđ€āļĨāļīāļĻāļĢāļēāļ‡āļ§āļąāļĨ Canal+ āļŠāļēāļ‚āļēāļ āļēāļžāļĒāļ™āļ•āļĢāđŒāļŠāļąāđ‰āļ™āļĒāļ­āļ”āđ€āļĒāļĩāđˆāļĒāļĄāļˆāļēāļāļ‡āļēāļ™ Cannes Critic’s Week āļ„āļĢāļąāđ‰āļ‡āļ—āļĩāđˆ 65

Pluto āļ„āļ·āļ­āļ āļēāļžāļĒāļ™āļ•āļĢāđŒāļ‚āļ™āļēāļ”āļĒāļēāļ§āđ€āļĢāļ·āđˆāļ­āļ‡āļ—āļĩāđˆāļŠāļ­āļ‡āļ‚āļ­āļ‡āđ€āļ˜āļ­ āđ€āļ›āđ‡āļ™āļœāļĨāļ‡āļēāļ™āđāļ™āļ§āļĢāļ°āļ—āļķāļāļ‚āļ§āļąāļāļ›āļĩ āļ„.āļĻ. 2013 āļ—āļĩāđˆāļŠāļģāļĢāļ§āļˆāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļāļēāļĢāđāļ‚āđˆāļ‡āļ‚āļąāļ™āđ€āļ‚āđ‰āļēāļŠāļđāđˆāļĢāļ°āļšāļšāļāļēāļĢāļĻāļķāļāļĐāļēāļ‚āļ­āļ‡āđ€āļāļēāļŦāļĨāļĩ āļ­āļ­āļāļ‰āļēāļĒāļĢāļ­āļšāļ›āļāļĄāļ—āļąāļĻāļ™āđŒāđ‚āļĨāļāļ—āļĩāđˆāđ€āļ—āļĻāļāļēāļĨāļ āļēāļžāļĒāļ™āļ•āļĢāđŒāļ™āļēāļ™āļēāļŠāļēāļ•āļīāļ›āļđāļ‹āļēāļ™ āļ„āļĢāļąāđ‰āļ‡āļ—āļĩāđˆ 17 āđāļĨāļ°āđ„āļ”āđ‰āļĢāļąāļšāļĢāļēāļ‡āļ§āļąāļĨāļŠāļĄāđ€āļŠāļĒāđƒāļ™āļŠāļēāļĒ Generation 14 plus āļ—āļĩāđˆāđ€āļ—āļĻāļāļēāļĨāļ āļēāļžāļĒāļ™āļ•āļĢāđŒāļ™āļēāļ™āļēāļŠāļēāļ•āļīāđ€āļšāļ­āļĢāđŒāļĨāļīāļ™ āļ„āļĢāļąāđ‰āļ‡āļ—āļĩāđˆ 63

āđƒāļ™āļ›āļĩ āļ„.āļĻ. 2015 āļ āļēāļžāļĒāļ™āļ•āļĢāđŒāđ€āļĢāļ·āđˆāļ­āļ‡āļ—āļĩāđˆāļŠāļēāļĄāļ‚āļ­āļ‡āđ€āļ˜āļ­āļ­āļĒāđˆāļēāļ‡ Madonna āđ„āļ”āđ‰āļĢāļąāļšāđ€āļŠāļīāļāđƒāļŦāđ‰āđ€āļ‚āđ‰āļēāļ‰āļēāļĒāđƒāļ™āļŠāļēāļĒāļāļēāļĢāļ›āļĢāļ°āļāļ§āļ”āļĢāļ­āļ‡ Un Certain Regard āļ—āļĩāđˆāđ€āļ—āļĻāļāļēāļĨāļ āļēāļžāļĒāļ™āļ•āļĢāđŒāļ™āļēāļ™āļēāļŠāļēāļ•āļīāđ€āļĄāļ·āļ­āļ‡āļ„āļēāļ™āļŠāđŒ āļ„āļĢāļąāđ‰āļ‡āļ—āļĩāđˆ 68 āđāļĨāļ°āļ āļēāļžāļĒāļ™āļ•āļĢāđŒāđ€āļĢāļ·āđˆāļ­āļ‡āļ—āļĩāđˆāļŠāļĩāđˆ Glass Garden āđ„āļ”āđ‰āļĢāļąāļšāđ€āļāļĩāļĒāļĢāļ•āļīāđƒāļŦāđ‰āđ€āļ›āđ‡āļ™āļ āļēāļžāļĒāļ™āļ•āļĢāđŒāđ€āļ›āļīāļ”āđ€āļ—āļĻāļāļēāļĨāļ āļēāļžāļĒāļ™āļ•āļĢāđŒāļ™āļēāļ™āļēāļŠāļēāļ•āļīāļ›āļđāļ‹āļēāļ™ āļ„āļĢāļąāđ‰āļ‡āļ—āļĩāđˆ 22

āļ›āļĩ āļ„.āļĻ. 2020 Light for the Youth āļ āļēāļžāļĒāļ™āļ•āļĢāđŒāļĨāļģāļ”āļąāļšāļ—āļĩāđˆāļŦāđ‰āļēāļ‚āļ­āļ‡āđ€āļ˜āļ­ āđ„āļ”āđ‰āļĢāļąāļšāđ€āļŠāļīāļāđƒāļŦāđ‰āļ‰āļēāļĒāđƒāļ™āļŠāļēāļĒ Panorama āļ—āļĩāđˆāđ€āļ—āļĻāļāļēāļĨāļ āļēāļžāļĒāļ™āļ•āļĢāđŒāļ™āļēāļ™āļēāļŠāļēāļ•āļīāļ›āļđāļ‹āļēāļ™ āļ„āļĢāļąāđ‰āļ‡āļ—āļĩāđˆ 24 āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ āđƒāļ™āļ›āļĩāđ€āļ”āļĩāļĒāļ§āļāļąāļ™ āļŦāļ™āļąāļ‡āļĒāļąāļ‡āđ„āļ”āđ‰āļĢāļąāļšāļĢāļēāļ‡āļ§āļąāļĨāļ‚āļ§āļąāļāđƒāļˆāļœāļđāđ‰āļŠāļĄāļ—āļĩāđˆāđ€āļ—āļĻāļāļēāļĨāļ āļēāļžāļĒāļ™āļ•āļĢāđŒ Florence Korean āļ„āļĢāļąāđ‰āļ‡āļ—āļĩāđˆ 18 āļ­āļĩāļāļ”āđ‰āļ§āļĒ

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Director Shin Su-Won was born at 1967 in South Korea. She graduated from German Language of Seoul National University and majored inscenario from Department of Film making in Korea National University of Arts (KNUA). She has worked as a teacher for a long time, but quit her job and start filming.

SHIN Su-won had begun working on her feature directorial debut since 2010. The self-produced independent film Passerby #3, released in 2010, was derived from her own experiences as a thirtysomething woman trying break into the industry and become a filmmaker. Passerby #3 won the JJ-Star Award at the 11th Jeonju International Film Festival and the Best Asian-Middle Eastern Film award at the 23rd Tokyo International Film Festival.

Her next project was the short film Circle Line, which won her the Canal+ Prize for best short film at the 65th Cannes Critic’s Week Film Festival..

Pluto, Shin's sophomore feature, was a 2013 thriller that explores the competitive nature of the Korean education system. It premiered at the 17th Busan International Film Festival, and Shin received a special mention at the Generation 14plus Section of the 63rd Berlin International Film Festival.

In 2015, her third feature Madonna was invited to screen in the Un Certain Regard section of the 68th Cannes Film Festival and her fourth feature Glass Garden premiered as the opening film of the 22nd Busan International film festival.

In 2020, her fifth feature LIGHT FOR THE YOUTH was invited to screen in the Panorama section of the 24th Busan International Film Festival and won the audience award at the 18th Florence Korean Film Festival in 2020.

āđāļŠāļĢāđŒāļ­āļĩāđ€āļ§āļ™āļ—āđŒāļ™āļĩāđ‰

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